The show
Come on the show
It's a talk show, and it's a long one — two or three hours. You bring a problem out of your business, we point an AI at it on your computer, live, and we talk the whole way through while it works. Coming on costs nothing. Send it here; how it all goes is underneath.
That's in.
It landed in front of me. I read every one, so you'll hear back either way — give me a few days, and have a look in your spam folder before you assume I've ignored you.
If it's a yes, the next thing is a chat — 10 to 20 minutes to talk it through and find a time. Nothing is agreed until after that.
Changed your mind, or forgot something? contact@matewishkey.com reaches the same place.
What the show is about
People and their problems. We talk about the one that costs you money or a day a week, then we put an agent on it — an AI that runs on your own computer and can open your files and write new ones.
And an agent is slow. It goes off and thinks, and there's nothing to watch, so that's when we chat. Everything happens on your machine — I say what I'd do, you type it and you press yes. That's how you learn it.
How you get on it
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You send the form
Up the top of this page. Be specific: "sorts my invoices into folders by month" beats "does my admin".
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I write back, and we have a chat
10–20 minutes, nothing being sold in it. I want the problem in your own words.
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We agree if we want the show together
Both ways. It might not fit the show, or you might want it done off camera.
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You sign the contract, and then you come on
It says what's recorded, where it ends up, and what's yours. Sign it and we pick your slot.
What you'll be agreeing to is that contract in ordinary words. The contract binds, not a tick box.
When we actually record
Here's the inconvenient bit. I do the shows overnight, Brisbane time — Australian Eastern, and Queensland has no daylight saving, so the window never shifts. On the weekend there's Sunday morning as well.
The trade
I record it and I reuse it — the stream, then clips and edits, and the words that did the job go up on the wishes. A couple of hours of my full attention for nothing, and something for me to put out.
What we build is yours, and so is what happens next. I'm not your developer. An agent that can change real files can wreck real files. It's like flying: you still get on the plane, and the plane can still crash. (None of that takes away the rights you have under the Australian Consumer Law, which can't be excluded.)
What you need before you come
A filter, not a formality. If one is a maybe, sort it first.
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A computer that keeps up.
Half a minute to open a folder eats the afternoon, live.
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Internet that holds.
Your screen is shared the whole time.
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A working microphone, and your camera on.
I know, that's the one people baulk at. It's a show with people on it.
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Your AI mate already installed and logged in.
Claude, or another agent like it, working before we start. Usually a paid subscription of your own. Put the genie in the box walks through it from nothing.
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Two hours, uninterrupted.
Door shut, phone face down. Two is the floor; three is normal.
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Something you're happy to see published.
All of it goes out — your face, your voice, your screen. No customer records, no client names you haven't asked, no passwords.